1:40
- culture
- February 9, 2020
The bleak truth about diversity and the Oscars
Diversity in the Oscars is so stark and it will take decades to flip the script.
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Malek, who is set to star as the villain in the upcoming James Bond film, said that he only agreed to the role after he was assured that his character would not perpetuate stereotypes of Arabs as terrorists.
\"I said, 'We cannot identify him with any act of terrorism reflecting an ideology or religion,'\" Malek told The Daily Mirror in July 2019. \"That's not something I would entertain, so if that is why I am your choice then you can count me out.'\"
![\"PHOTO:](\"http://a.abcnews.com/images/GMA/rami-malek-rt-jt-200202_hpEmbed_17x11_384.jpg\")
Best supporting actor
The awards for best supporting actor and actress were first awarded in March 1937 during the ninth Academy Awards. They have been won by people of color more often than awards for leading roles.
But still, only eight men of color have ever won an Oscar in this category.
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Mexican American actor Anthony Quinn was the first, winning twice for roles in the 1952 film, \"Viva Zapata!\" and, \"Lust for Life,\" in 1956.
Most recently, African American actor Mahershala Ali made history, becoming the second black actor to ever win two Oscars for acting, following in the footsteps of Denzel Washington.
Ali won for his role as Juan in the 2016 film, \"Moonlight,\" and then again last year for his role as Don Shirley in \"Green Book.\"
Mahershala Ali gives an acceptance speech for his second Best Supporting Actor award.
— Good Morning America (@GMA) February 25, 2019
He dedicated the award to his grandmother for her encouragement. \"I would not be here without her.\" https://t.co/XQU450bcno pic.twitter.com/Nc1wqhBFWT
Others who have won in this category include Puerto Rican actor Benicio del Toro, Cambodian American actor Haing S. Ngor and African American actors Morgan Freeman, Washington, Cuba Gooding Jr. and Louis Gossett Jr.
'Incremental gains
While reflecting on the wins and setbacks over the years, Reign said that despite \"some incremental gains\" over the past few years, the 90-year history of the Oscars is still so overwhelmingly white and progress should be assessed in this historical context.
\"The issue is that people very often cherry pick results to fit their narrative,\" Reign said. \"When 'Moonlight' won a few years ago for best picture everyone said, 'Oh well, #OscarsSoWhite is dead, we get it. How can you possibly complain after that?' But that's one film that represented one aspect of the black experience -- the black queer experience -- in 90 years. We truly have to keep all of these nominations and wins in context.\"
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Murray said Hollywood today is \"more diverse\" than ever, and critically acclaimed, big-budget films celebrating diversity are being produced, but are often \"ignored\" by the Academy. This leads to the growth of awards shows that \"tout themselves as a celebration of diversity and inclusion,\" he added.
Examples include the NAACP Image Awards, the American Black Film Festival (ABFF) Honors and the Asia Pacific Screen Awards.
\"This is not a time where you only have films made by Tyler Perry and maybe, the occasional one by Will Packer. There is a surplus of stories appealing to people of color that are inclusive,\" Murray said, pointing to a surge in independent production companies like Michael B. Jordan's Outlier Society Productions, that are producing more inclusive works.
\"There are roles both in front of the camera and behind the camera where people of color have been able to shine and I don't think we're in a position anymore where there aren't projects that can be recognized,\" he added.
'The Oscars are the end of the line'
In 2018, the Academy invited a record 928 new members to its ranks -- 49% women and 38% people of color. Invitees included hip-hop star Kendrick Lamar, Mindy Kaling, Kal Penn and Tiffany Haddish.
Following the new reforms, the Academy has met its goal of doubling the membership of people of color by 2020, which rose from 8% in 2015 to 16%. The number of women in its ranks, which started at 25% in 2015 and is now 32%.
The Academy will have met its goal of doubling the number of women by June when they welcome the new class of 2020, an Academy spokesperson told ABC News on Wednesday, adding that additional efforts continue and will be announced this spring.
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The Academy also changed its voting structure for the first time in 90 years, announcing that \"each new member's voting status will last 10 years, and will be renewed if that new member has been active in motion pictures during that decade.\"
Reign said that while we \"absolutely need to talk about the Oscars with respect to their representation, their voting structure, their membership,\" it's important to remember that \"the Oscars are the end of the line.\"
\"We need to have the conversations about who the writers are and what their characters look like,\" she said. \"It's not just about are there enough black roles or Latinx roles or queer roles to go on, it's are you writing your scripts in an inclusive way so that almost anyone can play that role?\" Reign asked. \"And that opens up the network, that allows you to case a wider net when you are casting.\"
When African American director Ava DuVernay was asked in 2015 about her biggest frustration in Hollywood, she pointed to the fact that \"only 4% of studio directors are women.\"
\"It defies culture in so many ways. It affects the way we see ourselves and the way we are seen by others,\" she told The Hollywood Reporter. \"For there only to be one dominant voice determining what's said and saying, it is something that all like-minded people who believe in dignity of everyone should be concerned about. That comes into play for women and for people of color.\"
A majority of lead roles are still written for white actors and actresses, while actors of color are often limited to smaller and stereotypical roles. Similarly, the vast majority of writers and directors producing films for large production companies are white males.
![\"PHOTO:](\"http://a.abcnews.com/images/GMA/katherine-bigelow-01-gty-jt-200202_hpEmbed_2x3_384.jpg\")
No Americans of color have ever won an Oscar for best director -- a powerful role that shapes a production. While it was awarded to a handful of international directors of color, like Ang Lee and Alfonso Cuarón in recent years, only one woman has ever won.
And following the 2020 Academy Awards, Kathryn Bigelow, who made history in 2010 for winning a best director Oscar for \"The Hurt Locker,\" will still be the only woman to win because only men were nominated this year.
People of color have been so disregarded in casting over the years, that in many cases, even characters written as non-white have been given to white actors and actresses.
In 2001, Jennifer Connelly took on the role of Salvadorian Alicia Nash. In the 2007 film, \"A Mighty Heart,\" depicting the life of journalist Daniel Pearl, Angelina Jolie was cast to play his wife, Marian Pearl, who is of Afro-Cuban descent. Jake Gyllenhaal was cast as Dastan in the 2010 film, \"Prince of Persia: The Sands of Time.\" In 2012, Ben Affleck played Mexican American Tony Mendez in \"Argo.\" In the 2013 movie, \"The Lone Ranger,\" Johnny Depp played a Native American. In the 2015 film, \"Pan,\" Rooney Mara played Native American Princess Tiger Lily, and in 2017 Scarlett Johansson was cast to play Japanese amine character Motoko Kusanagi in \"Ghost In the Shell.\"
A year later, Johansson dropped out of the film \"Rub and Tug\" amid intense backlash from the LGBTQ community after she was tapped to play a transgender man.
In reflecting on the controversies in July 2019, Johansson told \"As If\" magazine that \"as an actor, I should be able to play any person, or any tree, or any animal, because that's my job and the requirements of my job.\"
\"I feel like [political correctness is] a trend in my business and it needs to happen for various social reasons, yet there are times it does get uncomfortable when it affects the art because I feel art should be free of restrictions,\" she added.
Asked about Johansson's remarks, Reign said that that she thinks her words are coming from \"a place of privilege.\"
\"Scarlett Johansson has no shortage of roles that are written specifically for white women,\" she said, \"so why is it necessary for her to take roles away from women of color and marginalized women when instead, she can lift up those women and say, 'I don't have any personal experience as a woman of color or a disabled woman or a queer woman, but let me stand aside and amplify the work of these traditionally underrepresented women who do.'\"
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